I know!
DT, don't get me wrong, I do appreciate what you’re saying about the elements involved in your more complex compositions, but let me make this clear. We were not discussing complex tonalities or modes; this was basic major vs. minor keys. The more he explained, the more mistakes were made…on basic things!
You said, I sometimes find it easier to try to forgot this kind of music theory so I can explore different kinds of structure and ways of thinking about music, so I'm pretty tolerant when others get the details wrong.
This wasn’t a matter of him getting some minor details wrong about some obscure and confusing music theory…these were errors in the very foundation and fundamentals of music theory.
He made a comment that, “there are no sharps in the A-minor scale”; Well, there isn’t just one A-minor scale, there are three! So that statement is incomplete and incorrect because all three “A-minor” scales need to be considered before making that kind of claim -- Melodic minor, Harmonic minor, and Natural minor. ( Natural minor is the only one of the three A-minor scales to not have any sharps; the other two do. And if you read his description of the other two minor scales, they are not correct either, indicating to me that he didn’t completely understand basic minor scale forms. )
We’re not talking advanced theory here…and given the fact that he was pointing out and debating smaller details (instead of looking at the big picture), I couldn’t let these basic errors (the very foundation of music theory) go unaddressed.
This might seem insignificant, but when he tried to use these incomplete and incorrect statements to criticize me and discredit my point, I needed to address them.
I hope I made sense.
Thanks for your input!